"Dick Jones Is Wanted For Murder."

[Superquad7]

So after the first sketchy illustration (http://robocoparchive.com/board/viewtopic.php?t=2908), I decided to keep going as you guys encouraged me to do (). For whatever reason, since the first was near the beginning of the film, I wanted to create one from near the ending.

Now, the "Murphy" image (where the Old Man says, "Nice shooting, son. What's your name?" and Robo replies) has already gotten a bit of a spread, so while this was the scene I wanted to capture, I wanted something slightly different. Here, Robocop is still prevented from taking care of Dick Jones because of Directive 4. Dick has just grabbed the Old Man and shouted his hostage demands. Briefly, we see Robo reacting to Dick. There's a bit of surprise, but the determination in his face is overriding that. I've always really enjoyed this brief instant, for that expression on Robo's face as well as the whole scene composition. I'm sure some of you can empathize with me here, as Peter Weller's face is one of the most important elements in Robocop to me.

Anyways, here it is:




You'll notice quite a bit of difference in style between this one and the first one. I spent a little more time on this one, and of particular notice this one isn't just the bold blacks, but I went with more grays with the pencil shading. Also, I added the red monitors in Photoshop as well. The OCP logo is a separate illustration, and I wanted it precisely the same in all screens, so it was simply duplicated and scaled for each screen.

Thanks for looking!

[Joined]

So after the first sketchy illustration (http://robocoparchive.com/board/viewtopic.php?t=2908), I decided to keep going as you guys encouraged me to do (). For whatever reason, since the first was near the beginning of the film, I wanted to create one from near the ending.

Now, the "Murphy" image (where the Old Man says, "Nice shooting, son. What's your name?" and Robo replies) has already gotten a bit of a spread, so while this was the scene I wanted to capture, I wanted something slightly different. Here, Robocop is still prevented from taking care of Dick Jones because of Directive 4. Dick has just grabbed the Old Man and shouted his hostage demands. Briefly, we see Robo reacting to Dick. There's a bit of surprise, but the determination in his face is overriding that. I've always really enjoyed this brief instant, for that expression on Robo's face as well as the whole scene composition. I'm sure some of you can empathize with me here, as Peter Weller's face is one of the most important elements in Robocop to me.

Anyways, here it is:




You'll notice quite a bit of difference in style between this one and the first one. I spent a little more time on this one, and of particular notice this one isn't just the bold blacks, but I went with more grays with the pencil shading. Also, I added the red monitors in Photoshop as well. The OCP logo is a separate illustration, and I wanted it precisely the same in all screens, so it was simply duplicated and scaled for each screen.

Thanks for looking!

[Post Count]

So after the first sketchy illustration (http://robocoparchive.com/board/viewtopic.php?t=2908), I decided to keep going as you guys encouraged me to do (). For whatever reason, since the first was near the beginning of the film, I wanted to create one from near the ending.

Now, the "Murphy" image (where the Old Man says, "Nice shooting, son. What's your name?" and Robo replies) has already gotten a bit of a spread, so while this was the scene I wanted to capture, I wanted something slightly different. Here, Robocop is still prevented from taking care of Dick Jones because of Directive 4. Dick has just grabbed the Old Man and shouted his hostage demands. Briefly, we see Robo reacting to Dick. There's a bit of surprise, but the determination in his face is overriding that. I've always really enjoyed this brief instant, for that expression on Robo's face as well as the whole scene composition. I'm sure some of you can empathize with me here, as Peter Weller's face is one of the most important elements in Robocop to me.

Anyways, here it is:




You'll notice quite a bit of difference in style between this one and the first one. I spent a little more time on this one, and of particular notice this one isn't just the bold blacks, but I went with more grays with the pencil shading. Also, I added the red monitors in Photoshop as well. The OCP logo is a separate illustration, and I wanted it precisely the same in all screens, so it was simply duplicated and scaled for each screen.

Thanks for looking!

[Josh]

That is bloody brilliant.

I love the way only the monitors are red because I get this sort of Nazi imagery which is the reason the OCP logo was like it was in RoboCop 2.

Make sure you throw some more of your work our way. Also, are there any higher resolution versions because I'd love to use them as a background on my PS3?

[Joined]

That is bloody brilliant.

I love the way only the monitors are red because I get this sort of Nazi imagery which is the reason the OCP logo was like it was in RoboCop 2.

Make sure you throw some more of your work our way. Also, are there any higher resolution versions because I'd love to use them as a background on my PS3?

[Post Count]

That is bloody brilliant.

I love the way only the monitors are red because I get this sort of Nazi imagery which is the reason the OCP logo was like it was in RoboCop 2.

Make sure you throw some more of your work our way. Also, are there any higher resolution versions because I'd love to use them as a background on my PS3?

[Superquad7]

[Joined]

[Post Count]

[Josh]

[Joined]

[Post Count]

[RoboPimp]

This is a great piece of work. While I enjoyed your previous sketch this is a complete composition and the attention to detail really shows. You're work on Robocop's body is some of the best I've seen; he relly looks beat to all hell and you got the proportions down perfect. The face is well done too, and you nailed the expression. I like you're inspiration to use this shot instead of the more famous one that comes a minute later, it does give it this different feel which is powerfully represented here. The stylized red OCP logo on the screens is what ties the whole image together and makes it stand out. It makes it so it's not just a drawing of Robo, but a unique creation which I wholeheartedly support.

You must make more. You must not stop.
_________________

http://bkjames.bandcamp.com/

[Joined]

This is a great piece of work. While I enjoyed your previous sketch this is a complete composition and the attention to detail really shows. You're work on Robocop's body is some of the best I've seen; he relly looks beat to all hell and you got the proportions down perfect. The face is well done too, and you nailed the expression. I like you're inspiration to use this shot instead of the more famous one that comes a minute later, it does give it this different feel which is powerfully represented here. The stylized red OCP logo on the screens is what ties the whole image together and makes it stand out. It makes it so it's not just a drawing of Robo, but a unique creation which I wholeheartedly support.

You must make more. You must not stop.
_________________

http://bkjames.bandcamp.com/

[Post Count]

This is a great piece of work. While I enjoyed your previous sketch this is a complete composition and the attention to detail really shows. You're work on Robocop's body is some of the best I've seen; he relly looks beat to all hell and you got the proportions down perfect. The face is well done too, and you nailed the expression. I like you're inspiration to use this shot instead of the more famous one that comes a minute later, it does give it this different feel which is powerfully represented here. The stylized red OCP logo on the screens is what ties the whole image together and makes it stand out. It makes it so it's not just a drawing of Robo, but a unique creation which I wholeheartedly support.

You must make more. You must not stop.
_________________

http://bkjames.bandcamp.com/

[Comment]

This is a great piece of work. While I enjoyed your previous sketch this is a complete composition and the attention to detail really shows. You're work on Robocop's body is some of the best I've seen; he relly looks beat to all hell and you got the proportions down perfect. The face is well done too, and you nailed the expression. I like you're inspiration to use this shot instead of the more famous one that comes a minute later, it does give it this different feel which is powerfully represented here. The stylized red OCP logo on the screens is what ties the whole image together and makes it stand out. It makes it so it's not just a drawing of Robo, but a unique creation which I wholeheartedly support.

You must make more. You must not stop.
_________________

http://bkjames.bandcamp.com/

[WeKilledYou]

This is insanely nice. The red of the monitors pops perfectly. I also love the attention to shading. Great work.

[Joined]

This is insanely nice. The red of the monitors pops perfectly. I also love the attention to shading. Great work.

[Post Count]

This is insanely nice. The red of the monitors pops perfectly. I also love the attention to shading. Great work.

[Comment]

This is insanely nice. The red of the monitors pops perfectly. I also love the attention to shading. Great work.

[Superquad7]

[Joined]

[Post Count]

[WeKilledYou]

You should definitely do a villian for your next piece of work.

[Joined]

You should definitely do a villian for your next piece of work.

[Post Count]

You should definitely do a villian for your next piece of work.

[Comment]

You should definitely do a villian for your next piece of work.

[Superquad7]

[Joined]

[Post Count]

[RoboWags]

VERY NICE! I agree with Josh and WeKilledYou 100% about the red.
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[Joined]

VERY NICE! I agree with Josh and WeKilledYou 100% about the red.
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[Post Count]

VERY NICE! I agree with Josh and WeKilledYou 100% about the red.
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[Comment]

VERY NICE! I agree with Josh and WeKilledYou 100% about the red.
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